KEE. Penned an Electro Psych Poetic Reckoning in the Cybernetic Fever of Their Sophomore, ‘The Party’

With a voice as hypnotically evocative as Nadine Shah’s drawing across a cybernetic attack of psychedelic electronica, Nottingham’s most feverishly talented breakthrough act, KEE., were always going to make an impression with their sophomore single, The Party, which dropped on 3 April. Once you’ve settled into the sublimity of the neo-noir pop meets electro-punk juxtaposition, the track’s voltage goes into overdrive as the curtains of restraint are pulled right back to reveal the visceralism of the conceptual release in the final gutteral outpour. Before exhibiting the band’s capacity for aural anailhation,  The Party bleeds haunting visual poetry which rivals the sonnets of the great melancholic romantics before inciting a riot grrrl protest, positioning the malaise and languor of lyrical (and collective) suffering against the apocalyptic Anthropocene we’re being smothered by. They’re the kind of band you instantly want to get behind; one that switches out ego for truth, pointless experimentation for means of finding fresh sonic waves of innovation to ride and one that you absolutely need to see live after hearing how they’ve made an artform of their own volition. Following the acclaim that met their debut single Sound, and fresh from sets at Rough Trade Nottingham and The […]

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